Witching Hour by CamelPhat cover art

Witching Hour

CamelPhat

30s preview

Key
7B · F major
BPM
127
Open Key
12d
Energy
95/100
Pop
17/100
Length
4:18
Released
2020
Genre
House
Loudness
-8.8 dB
Dynamics
9.1 dB
ISRC
GBARL2001100

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo house cut, Witching Hour sits in F major (7B) at 127 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 93% of CamelPhat's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 89% of CamelPhat's catalogue
Groove:
less groove-driven than 85% of CamelPhat's catalogue
Brightness:
darker than 82% of CamelPhat's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood8Dark
Groove59
Acoustic1
Instrumental88
Live19
Speech5
darkpartyinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Witching Hour in?

Witching Hour by CamelPhat is in F major, or 7B on the Camelot wheel.

What BPM is Witching Hour?

Witching Hour runs at 127 BPM, a peak-time tempo track.

What mixes well with Witching Hour?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Witching Hour good for peak time?

With energy 95 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 127 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More house

More from CamelPhat

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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