Closer To God by Gui Boratto cover art

Closer To God

Gui Boratto

30s preview

Key
9A · E minor
BPM
127
Open Key
2m
Energy
96/100
Pop
11/100
Length
3:04
Released
2024
Genre
Tech House
Loudness
-7.2 dB
Dynamics
12.1 dB
ISRC
BRUM72402184

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 127 BPM in E minor (9A), Closer To God is a peak-time tempo tech house production. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 97% of Gui Boratto's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 91% of Gui Boratto's catalogue
Groove:
less groove-driven than 85% of Gui Boratto's catalogue
Tempo:
faster than 77% of Gui Boratto's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood37Balanced
Groove63
Acoustic0
Instrumental64
Live48
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Closer To God in?

Closer To God by Gui Boratto is in E minor, or 9A on the Camelot wheel.

What BPM is Closer To God?

Closer To God runs at 127 BPM, a peak-time tempo track.

What mixes well with Closer To God?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Closer To God good for peak time?

With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 127 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

More from Gui Boratto

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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