Weird and Badass - Filterheadz Remix
- BPM
- 127
- Open Key
- 7m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 7:26
- Released
- 2013
- Album
- Weird and Badass
- Genre
- Techno
- Loudness
- -5.3 dB
- ISRC
- DEAA21300105
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Weird and Badassoriginal9A · 127
Against the original (9A at 127 BPM), this version holds the same tempo and moves the key from 9A to 2A.
At 127 BPM in E♭ minor (2A), Weird and Badass - Filterheadz Remix is a peak-time tempo techno production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Spartaque's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 90% of Spartaque's catalogue
- Groove:
- less groove-driven than 85% of Spartaque's catalogue
- Energy:
- hotter than 76% of Spartaque's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Weird and Badass - Filterheadz Remix in?
Weird and Badass - Filterheadz Remix by Spartaque is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Weird and Badass - Filterheadz Remix?
Weird and Badass - Filterheadz Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Weird and Badass - Filterheadz Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Weird and Badass - Filterheadz Remix good for peak time?
With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 127 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Spartaque
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
