Someone Else's Problem by Spektre cover art

Someone Else's Problem

Spektre

30s preview

Key
9B · G major
BPM
127
Open Key
2d
Energy
96/100
Pop
0/100
Length
6:55
Released
2015
Genre
Techno
Loudness
-7.0 dB
Dynamics
8.7 dB
ISRC
CH7961500302

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Someone Else's Problem is a peak-time tempo techno track in G major (9B) at 127 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Spektre's catalogue.

Brightness:
brighter than 97% of Spektre's catalogue
Energy:
hotter than 88% of Spektre's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood66Balanced
Groove70
Acoustic0
Instrumental77
Live7
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Someone Else's Problem in?

Someone Else's Problem by Spektre is in G major, or 9B on the Camelot wheel.

What BPM is Someone Else's Problem?

Someone Else's Problem runs at 127 BPM, a peak-time tempo track.

What mixes well with Someone Else's Problem?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Someone Else's Problem good for peak time?

With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More techno

More from Spektre

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track