Take You on a Ride
- BPM
- 127
- Open Key
- 4m
- Energy
- 96/100
- Pop
- 50/100
- Length
- 3:50
- Released
- 2024
- Genre
- House
- Loudness
- -7.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in F♯ minor (11A), Take You on a Ride is a peak-time tempo house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Better known than 95% of Franky Rizardo's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 92% of Franky Rizardo's catalogue
- Brightness:
- brighter than 83% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Take You on a Ride in?
Take You on a Ride by Franky Rizardo is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Take You on a Ride?
Take You on a Ride runs at 127 BPM, a peak-time tempo track.
What mixes well with Take You on a Ride?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Take You on a Ride good for peak time?
With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
