Control Yourself - Radio Edit
30s preview
- BPM
- 129
- Open Key
- 4m
- Energy
- 75/100
- Pop
- 48/100
- Length
- 3:36
- Released
- 2025
- Album
- Control Yourself EP
- Genre
- Minimal
- Label
- LTF Records
- Loudness
- -9.9 dB
- Dynamics
- 11.8 dB
- ISRC
- NLML62500004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 129 BPM in F♯ minor (11A), Control Yourself - Radio Edit is a peak-time tempo minimal production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 94% of Franky Rizardo's catalogue. In a set it works best as a floor-filler.
- Tempo:
- faster than 87% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Control Yourself - Radio Edit in?
Control Yourself - Radio Edit by Franky Rizardo is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Control Yourself - Radio Edit?
Control Yourself - Radio Edit runs at 129 BPM, a peak-time tempo track.
What mixes well with Control Yourself - Radio Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Control Yourself - Radio Edit good for peak time?
With energy 75 out of 100 at 129 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More minimal
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
