Drone Logic - Harvey McKay Re-Edit
30s preview
- BPM
- 129
- Open Key
- 9d
- Energy
- 79/100
- Pop
- 8/100
- Length
- 4:30
- Released
- 2025
- Album
- Drone Logic (Harvey McKay Re-Edit)
- Genre
- Techno
- Loudness
- -8.1 dB
- Dynamics
- 9.6 dB
- ISRC
- GBTZZ2500007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, Drone Logic - Harvey McKay Re-Edit sits in A♭ major (4B) at 129 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 93% of Harvey McKay's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 77% of Harvey McKay's catalogue
- Low end:
- more treble-tilted than 76% of Harvey McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Drone Logic - Harvey McKay Re-Edit in?
Drone Logic - Harvey McKay Re-Edit by Harvey McKay is in A♭ major, or 4B on the Camelot wheel.
What BPM is Drone Logic - Harvey McKay Re-Edit?
Drone Logic - Harvey McKay Re-Edit runs at 129 BPM, a peak-time tempo track.
What mixes well with Drone Logic - Harvey McKay Re-Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Drone Logic - Harvey McKay Re-Edit good for peak time?
With energy 79 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 129 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Harvey McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
