You Got Me - Slam Track Series Remix by Alan Fitzpatrick cover art

You Got Me - Slam Track Series Remix

Alan Fitzpatrick

Key
9B · G major
BPM
129
Open Key
2d
Energy
78/100
Pop
0/100
Length
7:21
Released
2017
Album
You Got Me
Genre
Techno
Loudness
-9.5 dB
ISRC
UKGGD1700007

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (4B at 128 BPM), this version runs 1 BPM faster and moves the key from 4B to 9B.

You Got Me - Slam Track Series Remix runs 129 BPM in G major (9B), a peak-time tempo techno record. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2017 production that still circulates in sets. More underground than 99% of Alan Fitzpatrick's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood9Dark
Groove77
Acoustic0
Instrumental93
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is You Got Me - Slam Track Series Remix in?

You Got Me - Slam Track Series Remix by Alan Fitzpatrick is in G major, or 9B on the Camelot wheel.

What BPM is You Got Me - Slam Track Series Remix?

You Got Me - Slam Track Series Remix runs at 129 BPM, a peak-time tempo track.

What mixes well with You Got Me - Slam Track Series Remix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is You Got Me - Slam Track Series Remix good for peak time?

With energy 78 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 129 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

More techno

#Track

More from Alan Fitzpatrick

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track