The Walk by Ki Creighton cover art

The Walk

Ki Creighton

Key
3B · D♭ major
BPM
129
Open Key
8d
Energy
77/100
Pop
3/100
Length
5:46
Released
2024
Album
Surprises EP (Inc. Kodewerk Remix)
Genre
Tech House
Loudness
-9.0 dB
ISRC
GBKQU2463509

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 129 BPM in D♭ major (3B), The Walk is a peak-time tempo tech house production. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Faster than 94% of Ki Creighton's catalogue. In a set it works best as a peak-time weapon.

Energy:
calmer than 84% of Ki Creighton's catalogue
Reach:
better known than 81% of Ki Creighton's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood49Balanced
Groove80
Acoustic1
Instrumental74
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Walk in?

The Walk by Ki Creighton is in D♭ major, or 3B on the Camelot wheel.

What BPM is The Walk?

The Walk runs at 129 BPM, a peak-time tempo track.

What mixes well with The Walk?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is The Walk good for peak time?

With energy 77 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 129 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 77/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#Track

More tech house

More from Ki Creighton

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track