You Got Me
- BPM
- 128
- Open Key
- 9d
- Energy
- 75/100
- Pop
- 0/100
- Length
- 6:18
- Released
- 2017
- Genre
- Techno
- Loudness
- -7.7 dB
- ISRC
- UKGGD1700006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got Me - Slam Track Series Remixremix9B · 129
You Got Me: peak-time tempo techno, A♭ major (4B), 128 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2017 production that still circulates in sets. More underground than 99% of Alan Fitzpatrick's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Got Me in?
You Got Me by Alan Fitzpatrick is in A♭ major, or 4B on the Camelot wheel.
What BPM is You Got Me?
You Got Me runs at 128 BPM, a peak-time tempo track.
What mixes well with You Got Me?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is You Got Me good for peak time?
With energy 75 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
