Madness To Mayhem by Amtrac cover art

Madness To Mayhem

Amtrac

30s preview

Key
10B · D major
BPM
128
Open Key
3d
Energy
76/100
Pop
7/100
Length
6:35
Released
2020
Genre
House
Loudness
-6.4 dB
Dynamics
9.9 dB
ISRC
USRC12001809

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo house cut, Madness To Mayhem sits in D major (10B) at 128 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 89% of Amtrac's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood60Balanced
Groove72
Acoustic0
Instrumental76
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Madness To Mayhem in?

Madness To Mayhem by Amtrac is in D major, or 10B on the Camelot wheel.

What BPM is Madness To Mayhem?

Madness To Mayhem runs at 128 BPM, a peak-time tempo track.

What mixes well with Madness To Mayhem?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Madness To Mayhem good for peak time?

With energy 76 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More house

More from Amtrac

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track