Truths (Making Moves) - Extended Mix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 76/100
- Pop
- 1/100
- Length
- 5:05
- Released
- 2023
- Album
- Truths (Making Moves)
- Genre
- Techno
- Loudness
- -8.5 dB
- Dynamics
- 13.0 dB
- ISRC
- NLF712301992
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Truths (Making Moves)original3A · 128
Against the original (3A at 128 BPM), this version holds the same tempo and moves the key from 3A to 3B.
Truths (Making Moves) - Extended Mix runs 128 BPM in D♭ major (3B), a peak-time tempo techno record. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More bass-heavy than 86% of Alan Fitzpatrick's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 83% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Truths (Making Moves) - Extended Mix in?
Truths (Making Moves) - Extended Mix by Alan Fitzpatrick is in D♭ major, or 3B on the Camelot wheel.
What BPM is Truths (Making Moves) - Extended Mix?
Truths (Making Moves) - Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Truths (Making Moves) - Extended Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Truths (Making Moves) - Extended Mix good for peak time?
With energy 76 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
