Love International by Cari Lekebusch cover art

Love International

Cari Lekebusch

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
75/100
Pop
3/100
Length
5:42
Released
2004
Genre
Techno
Loudness
-7.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Love International: peak-time tempo techno, B♭ minor (3A), 128 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The timbre leans dark. A 2004 production that still circulates in sets. Better known than 82% of Cari Lekebusch's catalogue. For programming, treat it as a floor-filler.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood46Balanced
Groove71
Acoustic0
Instrumental89
Live7
Speech5
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Love International in?

Love International by Cari Lekebusch is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Love International?

Love International runs at 128 BPM, a peak-time tempo track.

What mixes well with Love International?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Love International good for peak time?

With energy 75 out of 100 at 128 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#Track

More techno

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track