Vibration by Monococ cover art

Vibration

Monococ

30s preview

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
74/100
Pop
14/100
Length
6:21
Released
2025
Genre
Techno
Loudness
-8.1 dB
Dynamics
8.6 dB
ISRC
US83Z2427473

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Vibration is a peak-time tempo techno track in B♭ minor (3A) at 128 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 95% of Monococ's catalogue. For programming, treat it as a floor-filler.

Low end:
more treble-tilted than 90% of Monococ's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood45Balanced
Groove76
Acoustic1
Instrumental87
Live12
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Vibration in?

Vibration by Monococ is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Vibration?

Vibration runs at 128 BPM, a peak-time tempo track.

What mixes well with Vibration?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Vibration good for peak time?

With energy 74 out of 100 at 128 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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