Wackypaky
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 74/100
- Pop
- 5/100
- Length
- 8:03
- Released
- 2008
- Genre
- Techno
- Loudness
- -10.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in C minor (5A), Wackypaky is a peak-time tempo techno production. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. Brighter than 78% of Monika Kruse's catalogue. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Wackypaky in?
Wackypaky by Monika Kruse is in C minor, or 5A on the Camelot wheel.
What BPM is Wackypaky?
Wackypaky runs at 128 BPM, a peak-time tempo track.
What mixes well with Wackypaky?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Wackypaky good for peak time?
With energy 74 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Monika Kruse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
