Lloraras - 7am Mix
30s preview
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 70/100
- Pop
- 36/100
- Length
- 6:34
- Released
- 2023
- Album
- Lloraras
- Genre
- Tech House
- Loudness
- -8.5 dB
- Dynamics
- 11.2 dB
- ISRC
- GBKQU2321515
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Lloraras - 7am Mix sits in G minor (6A) at 128 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 96% of Dennis Cruz's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- faster than 92% of Dennis Cruz's catalogue
- Groove:
- less groove-driven than 84% of Dennis Cruz's catalogue
- Low end:
- more treble-tilted than 79% of Dennis Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Lloraras - 7am Mix in?
Lloraras - 7am Mix by Dennis Cruz is in G minor, or 6A on the Camelot wheel.
What BPM is Lloraras - 7am Mix?
Lloraras - 7am Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Lloraras - 7am Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Lloraras - 7am Mix good for peak time?
With energy 70 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Dennis Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
