Get Together (Andy Craze Remix)
- Key
- 7A · D minor
- BPM
- 128
- Open Key
- 12m
- Energy
- 66/100
- Pop
- 0/100
- Length
- 8:08
- Released
- 2009
- Album
- Get Together
- Genre
- Tech House
- Loudness
- -10.4 dB
- ISRC
- USA560916126
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Together (Original Mix)original5B · 125
- Get Together (Vlad Caia Dub)version3A · 124
Against the original (5B at 125 BPM), this version runs 3 BPM faster and moves the key from 5B to 7A.
Get Together (Andy Craze Remix) runs 128 BPM in D minor (7A), a peak-time tempo tech house record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Groovier than 99% of Cristi Cons's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Cristi Cons's catalogue
- Tempo:
- faster than 81% of Cristi Cons's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Get Together (Andy Craze Remix) in?
Get Together (Andy Craze Remix) by Cristi Cons is in D minor, or 7A on the Camelot wheel.
What BPM is Get Together (Andy Craze Remix)?
Get Together (Andy Craze Remix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Get Together (Andy Craze Remix)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Get Together (Andy Craze Remix) good for peak time?
With energy 66 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 128 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Cristi Cons
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
