An Accident In Paradise - DJ Pierre Wild Pitch Mix
- BPM
- 128
- Open Key
- 7m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 8:49
- Released
- 1993
- Album
- Accident in Paradise Remixes
- Genre
- Trance
- Label
- Eye Q Records
- Loudness
- -13.1 dB
- ISRC
- DEQ209301277
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- An Accident in Paradiseoriginal4B · 142
- An Accident In Paradise - William Orbit & Spooky Mixoriginal1B · 131
- An Accident In Paradise - Spicelab Mixoriginal4B · 146
- An Accident In Paradise - Single Editversion4B · 142
- An Accident In Paradise - Lenny Dee & John Selway Mixoriginal11B · 150
- An Accident In Paradiseoriginal4B · 142
An Accident In Paradise - DJ Pierre Wild Pitch Mix is a peak-time tempo trance track in E♭ minor (2A) at 128 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The master keeps real dynamic headroom. A 1993 production that still circulates in sets. More underground than 99% of Sven Väth's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 97% of Sven Väth's catalogue
- Brightness:
- brighter than 75% of Sven Väth's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is An Accident In Paradise - DJ Pierre Wild Pitch Mix in?
An Accident In Paradise - DJ Pierre Wild Pitch Mix by Sven Väth is in E♭ minor, or 2A on the Camelot wheel.
What BPM is An Accident In Paradise - DJ Pierre Wild Pitch Mix?
An Accident In Paradise - DJ Pierre Wild Pitch Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with An Accident In Paradise - DJ Pierre Wild Pitch Mix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is An Accident In Paradise - DJ Pierre Wild Pitch Mix good for peak time?
With energy 68 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Sven Väth
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
