Forced To Move
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 71/100
- Pop
- 28/100
- Length
- 6:35
- Released
- 2017
- Genre
- Techno
- Loudness
- -14.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Forced To Moveoriginal9B · 128
A peak-time tempo techno cut, Forced To Move sits in G major (9B) at 128 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Slower than 86% of Amelie Lens's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 84% of Amelie Lens's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Forced To Move in?
Forced To Move by Amelie Lens is in G major, or 9B on the Camelot wheel.
What BPM is Forced To Move?
Forced To Move runs at 128 BPM, a peak-time tempo track.
What mixes well with Forced To Move?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Forced To Move good for peak time?
With energy 71 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Amelie Lens
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
