Club Of Extremes by Amelie Lens cover art

Club Of Extremes

Amelie Lens

Key
9A · E minor
BPM
140
Half-time
70
Open Key
2m
Energy
88/100
Pop
47/100
Length
3:41
Released
2025
Album
Serenity
Genre
Techno
Label
Exhale
Loudness
-8.6 dB
ISRC
QM6P42584232

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Club Of Extremes runs 140 BPM in E minor (9A), a driving up-tempo techno record. Tonally it lands dark and driving. The mix is almost entirely instrumental. Better known than 92% of Amelie Lens's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 78% of Amelie Lens's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood20Dark
Groove65
Acoustic0
Instrumental84
Live9
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Club Of Extremes in?

Club Of Extremes by Amelie Lens is in E minor, or 9A on the Camelot wheel.

What BPM is Club Of Extremes?

Club Of Extremes runs at 140 BPM, a driving up-tempo track.

What mixes well with Club Of Extremes?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Club Of Extremes good for peak time?

With energy 88 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#Track

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 140 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

More techno

#Track

More from Amelie Lens

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track