You and Me by Amelie Lens cover art

You and Me

Amelie Lens

30s preview

Key
11A · F♯ minor
BPM
142
Half-time
71
Open Key
4m
Energy
90/100
Pop
54/100
Length
3:11
Released
2023
Genre
Techno
Label
Exhale
Loudness
-3.5 dB
Dynamics
7.9 dB
ISRC
BEN582300888

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

You and Me: driving up-tempo techno, F♯ minor (11A), 142 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 94% of Amelie Lens's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 87% of Amelie Lens's catalogue
Groove:
less groove-driven than 84% of Amelie Lens's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood26Dark
Groove59
Acoustic1
Instrumental29
Live14
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is You and Me in?

You and Me by Amelie Lens is in F♯ minor, or 11A on the Camelot wheel.

What BPM is You and Me?

You and Me runs at 142 BPM, a driving up-tempo track.

What mixes well with You and Me?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is You and Me good for peak time?

With energy 90 out of 100 at 142 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 142 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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