![Forty Thousand Dollars // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/4c3045a93892fe57ba20.webp)
Forty Thousand Dollars // [COLOR002] - Original Mix
30s preview
- Key
- 9A · E minor
- BPM
- 144
- Half-time
- 72
- Open Key
- 2m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 5:24
- Released
- 2020
- Album
- Forty Thousand Dollars // [COLOR002] (Original Mix)
- Genre
- Techno
- Loudness
- -7.9 dB
- Dynamics
- 7.8 dB
- ISRC
- FRDCX2007080
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Forty Thousand Dollars // [COLOR002] - Original Mix runs 144 BPM in E minor (9A), a driving up-tempo techno record. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Trym's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more bass-heavy than 85% of Trym's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Forty Thousand Dollars // [COLOR002] - Original Mix in?
Forty Thousand Dollars // [COLOR002] - Original Mix by Trym is in E minor, or 9A on the Camelot wheel.
What BPM is Forty Thousand Dollars // [COLOR002] - Original Mix?
Forty Thousand Dollars // [COLOR002] - Original Mix runs at 144 BPM, a driving up-tempo track.
What mixes well with Forty Thousand Dollars // [COLOR002] - Original Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Forty Thousand Dollars // [COLOR002] - Original Mix good for peak time?
With energy 89 out of 100 at 144 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 144 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
![Dream // [COLOR002] - Original Mix by Trym cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ac2044bfab407d58c8a1.webp){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
