Timelapse
30s preview
- Key
- 5A · C minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 10m
- Energy
- 73/100
- Pop
- 31/100
- Length
- 6:10
- Released
- 2018
- Genre
- Trance
- Label
- Not On Label (Trym (2) Self-released)
- Loudness
- -7.8 dB
- Dynamics
- 14.1 dB
- ISRC
- FRP621673020
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 140 BPM in C minor (5A), Timelapse is a driving up-tempo trance production. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2018 production that still circulates in sets. Darker than 98% of Trym's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- calmer than 93% of Trym's catalogue
- Reach:
- better known than 81% of Trym's catalogue
- Low end:
- more treble-tilted than 77% of Trym's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Timelapse in?
Timelapse by Trym is in C minor, or 5A on the Camelot wheel.
What BPM is Timelapse?
Timelapse runs at 140 BPM, a driving up-tempo track.
What mixes well with Timelapse?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Timelapse good for peak time?
With energy 73 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 140 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Trym
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
