Love
- BPM
- 140
- Half-time
- 70
- Open Key
- 9d
- Energy
- 81/100
- Pop
- 23/100
- Length
- 5:02
- Released
- 2009
- Genre
- Hard House
- Loudness
- -5.8 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love - Original Mixoriginal3B · 148
Love: driving up-tempo hard house, A♭ major (4B), 140 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. A 2009 production that still circulates in sets. Better known than 97% of Jody 6's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- calmer than 93% of Jody 6's catalogue
- Brightness:
- brighter than 79% of Jody 6's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Love in?
Love by Jody 6 is in A♭ major, or 4B on the Camelot wheel.
What BPM is Love?
Love runs at 140 BPM, a driving up-tempo track.
What mixes well with Love?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Love good for peak time?
With energy 81 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 140 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More hard house
More from Jody 6
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
