Move That Ass by Jody 6 cover art

Move That Ass

Jody 6

30s preview

Key
3B · D♭ major
BPM
140
Half-time
70
Open Key
8d
Energy
99/100
Pop
0/100
Length
2:59
Released
2020
Genre
Hard House
Loudness
-7.6 dB
Dynamics
15.7 dB
ISRC
NLD682001453

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo hard house cut, Move That Ass sits in D♭ major (3B) at 140 BPM. It reads as dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Jody 6's catalogue. For programming, treat it as a peak-time weapon.

Groove:
less groove-driven than 85% of Jody 6's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood12Dark
Groove45
Acoustic0
Instrumental88
Live44
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Move That Ass in?

Move That Ass by Jody 6 is in D♭ major, or 3B on the Camelot wheel.

What BPM is Move That Ass?

Move That Ass runs at 140 BPM, a driving up-tempo track.

What mixes well with Move That Ass?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Move That Ass good for peak time?

With energy 99 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 140 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

More hard house

More from Jody 6

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track