We Ain't Ever Coming Down - Jody 6 Remix
30s preview
- BPM
- 138
- Open Key
- 8m
- Energy
- 100/100
- Pop
- 2/100
- Length
- 3:30
- Released
- 2021
- Album
- We Ain't Ever Coming Down (Jody 6 Remix)
- Genre
- Hard House
- Loudness
- -4.1 dB
- Dynamics
- 12.3 dB
- ISRC
- NLE712100463
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Ain't Ever Coming Down - Jody 6 Extended Remixremix8A · 138
We Ain't Ever Coming Down - Jody 6 Remix is a driving up-tempo hard house track in B♭ minor (3A) at 138 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 90% of Jody 6's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 84% of Jody 6's catalogue
- Energy:
- hotter than 77% of Jody 6's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is We Ain't Ever Coming Down - Jody 6 Remix in?
We Ain't Ever Coming Down - Jody 6 Remix by Jody 6 is in B♭ minor, or 3A on the Camelot wheel.
What BPM is We Ain't Ever Coming Down - Jody 6 Remix?
We Ain't Ever Coming Down - Jody 6 Remix runs at 138 BPM, a driving up-tempo track.
What mixes well with We Ain't Ever Coming Down - Jody 6 Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is We Ain't Ever Coming Down - Jody 6 Remix good for peak time?
With energy 100 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More hard house
More from Jody 6
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
