Crazy
- BPM
- 140
- Half-time
- 70
- Open Key
- 4m
- Energy
- 99/100
- Pop
- 1/100
- Length
- 3:29
- Released
- 2008
- Genre
- Hard House
- Loudness
- -5.0 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Crazy - Original Mixoriginal11B · 150
Crazy is a driving up-tempo hard house track in F♯ minor (11A) at 140 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2008 production that still circulates in sets. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Crazy in?
Crazy by Jody 6 is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Crazy?
Crazy runs at 140 BPM, a driving up-tempo track.
What mixes well with Crazy?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Crazy good for peak time?
With energy 99 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 140 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More hard house
More from Jody 6
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
