O Movimento
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 4d
- Energy
- 95/100
- Pop
- 50/100
- Length
- 5:36
- Released
- 2026
- Genre
- Techno
- Loudness
- -4.2 dB
- Dynamics
- 9.9 dB
- ISRC
- BE4JP2600014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
O Movimento runs 140 BPM in A major (11B), a driving up-tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 91% of Charlotte de Witte's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 89% of Charlotte de Witte's catalogue
- Energy:
- hotter than 83% of Charlotte de Witte's catalogue
- Low end:
- more treble-tilted than 82% of Charlotte de Witte's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is O Movimento in?
O Movimento by Charlotte de Witte is in A major, or 11B on the Camelot wheel.
What BPM is O Movimento?
O Movimento runs at 140 BPM, a driving up-tempo track.
What mixes well with O Movimento?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is O Movimento good for peak time?
With energy 95 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 140 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from Charlotte de Witte
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
