Amor by Charlotte de Witte cover art

30s preview

Key
3B · D♭ major
BPM
140
Half-time
70
Open Key
8d
Energy
94/100
Pop
64/100
Length
6:12
Released
2026
Genre
Techno
Label
KNTXT
Loudness
-4.6 dB
Dynamics
10.0 dB
ISRC
BE4JP2600012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Amor runs 140 BPM in D♭ major (3B), a driving up-tempo techno record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 99% of Charlotte de Witte's catalogue.

Tempo:
faster than 89% of Charlotte de Witte's catalogue
Low end:
more treble-tilted than 89% of Charlotte de Witte's catalogue
Energy:
hotter than 79% of Charlotte de Witte's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood19Dark
Groove74
Acoustic0
Instrumental70
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Amor in?

Amor by Charlotte de Witte is in D♭ major, or 3B on the Camelot wheel.

What BPM is Amor?

Amor runs at 140 BPM, a driving up-tempo track.

What mixes well with Amor?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Amor good for peak time?

With energy 94 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 140 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

More techno

#Track

More from Charlotte de Witte

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track