
Sorry
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 93/100
- Pop
- 12/100
- Length
- 6:26
- Released
- 2024
- Album
- A.I.
- Genre
- Techno
- Label
- Filth On Acid
- Loudness
- -6.3 dB
- Dynamics
- 10.3 dB
- ISRC
- USA2P2421011
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 140 BPM in B minor (10A), Sorry is a driving up-tempo techno production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Sorry in?
Sorry by Nusha is in B minor, or 10A on the Camelot wheel.
What BPM is Sorry?
Sorry runs at 140 BPM, a driving up-tempo track.
What mixes well with Sorry?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Sorry good for peak time?
With energy 93 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from Nusha
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.