Wave 2 (Christian Smith Remix) by Truncate cover art

Wave 2 (Christian Smith Remix)

Truncate

30s preview

Key
9B · G major
BPM
140
Half-time
70
Open Key
2d
Energy
92/100
Pop
7/100
Length
5:04
Released
2024
Album
Remixed, Pt. 6
Genre
Techno
Loudness
-6.6 dB
Dynamics
7.9 dB
ISRC
USA2P2437868

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 130 BPM), this version runs 10 BPM faster in the same key.

Wave 2 (Christian Smith Remix) is a driving up-tempo techno track in G major (9B) at 140 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 96% of Truncate's catalogue.

Low end:
more treble-tilted than 86% of Truncate's catalogue
Energy:
hotter than 84% of Truncate's catalogue
Tempo:
faster than 84% of Truncate's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood65Balanced
Groove78
Acoustic0
Instrumental95
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Wave 2 (Christian Smith Remix) in?

Wave 2 (Christian Smith Remix) by Truncate is in G major, or 9B on the Camelot wheel.

What BPM is Wave 2 (Christian Smith Remix)?

Wave 2 (Christian Smith Remix) runs at 140 BPM, a driving up-tempo track.

What mixes well with Wave 2 (Christian Smith Remix)?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Wave 2 (Christian Smith Remix) good for peak time?

With energy 92 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 140 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track