Jerk by Truncate cover art

30s preview

Key
12A · D♭ minor
BPM
140
Half-time
70
Open Key
5m
Energy
92/100
Pop
4/100
Length
3:55
Released
2024
Genre
Techno
Loudness
-10.8 dB
Dynamics
11.0 dB
ISRC
USA2P2472791

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Jerk: driving up-tempo techno, D♭ minor (12A), 140 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). More treble-tilted than 88% of Truncate's catalogue.

Energy:
hotter than 85% of Truncate's catalogue
Tempo:
faster than 84% of Truncate's catalogue
Brightness:
brighter than 82% of Truncate's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood37Balanced
Groove77
Acoustic0
Instrumental67
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Jerk in?

Jerk by Truncate is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Jerk?

Jerk runs at 140 BPM, a driving up-tempo track.

What mixes well with Jerk?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Jerk good for peak time?

With energy 92 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#Track

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 140 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track