One Night of Love by Marlon Hoffstadt cover art

One Night of Love

Marlon Hoffstadt

30s preview

Key
4A · F minor
BPM
145
Half-time
73
Open Key
9m
Energy
90/100
Pop
65/100
Length
3:32
Released
2025
Genre
Techno
Loudness
-5.5 dB
Dynamics
9.1 dB
ISRC
DEE862500354

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

One Night of Love is a driving up-tempo techno track in F minor (4A) at 145 BPM. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 98% of Marlon Hoffstadt's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
less groove-driven than 97% of Marlon Hoffstadt's catalogue
Brightness:
darker than 82% of Marlon Hoffstadt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood31Dark
Groove52
Acoustic10
Instrumental19
Live18
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is One Night of Love in?

One Night of Love by Marlon Hoffstadt is in F minor, or 4A on the Camelot wheel.

What BPM is One Night of Love?

One Night of Love runs at 145 BPM, a driving up-tempo track.

What mixes well with One Night of Love?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is One Night of Love good for peak time?

With energy 90 out of 100 at 145 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 145 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 145 — beatmatch without a big tempo pull.

More techno

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More from Marlon Hoffstadt

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track