Day 'n' Night by Marlon Hoffstadt cover art

Day 'n' Night

Marlon Hoffstadt

30s preview

Key
9B · G major
BPM
147
Half-time
74
Open Key
2d
Energy
73/100
Pop
52/100
Length
3:20
Released
2022
Genre
Techno
Loudness
-7.0 dB
Dynamics
9.5 dB
ISRC
DEUM72307812

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Day 'n' Night is a fast techno track in G major (9B) at 147 BPM. Tonally it lands bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 94% of Marlon Hoffstadt's catalogue. In a set it works best as a high-intensity peak cut.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy73
Mood73Bright
Groove69
Acoustic0
Instrumental8
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Day 'n' Night in?

Day 'n' Night by Marlon Hoffstadt is in G major, or 9B on the Camelot wheel.

What BPM is Day 'n' Night?

Day 'n' Night runs at 147 BPM, a fast track.

What mixes well with Day 'n' Night?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Day 'n' Night good for peak time?

With energy 73 out of 100 at 147 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 147 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 138-156 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 147 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 147 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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