Girls Are Fascinating by Anetha cover art

Girls Are Fascinating

Anetha

30s preview

Key
10B · D major
BPM
73
Double-time
146
Open Key
3d
Energy
57/100
Pop
15/100
Length
2:02
Released
2024
Genre
Techno
Loudness
-11.0 dB
Dynamics
15.2 dB
ISRC
FRDX62400330

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Girls Are Fascinating runs 73 BPM in D major (10B), a techno record. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Slower than 99% of Anetha's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
less groove-driven than 99% of Anetha's catalogue
Low end:
more treble-tilted than 98% of Anetha's catalogue
Energy:
calmer than 97% of Anetha's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy57
Mood14Dark
Groove37
Acoustic60
Instrumental14
Live9
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Girls Are Fascinating in?

Girls Are Fascinating by Anetha is in D major, or 10B on the Camelot wheel.

What BPM is Girls Are Fascinating?

Girls Are Fascinating runs at 73 BPM.

What mixes well with Girls Are Fascinating?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Girls Are Fascinating good for peak time?

With energy 57 out of 100 at 73 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#Track

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 73 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 69-77 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 73 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 73 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track