Earthquake
- BPM
- 145
- Half-time
- 73
- Open Key
- 6m
- Energy
- 82/100
- Pop
- 41/100
- Length
- 2:24
- Released
- 2024
- Genre
- Trance
- Label
- Columbia
- Loudness
- -4.8 dB
- ISRC
- DEKF22400977
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Earthquake is a driving up-tempo trance track in A♭ minor (1A) at 145 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. Better known than 85% of Marlon Hoffstadt's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 78% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Earthquake in?
Earthquake by Marlon Hoffstadt is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Earthquake?
Earthquake runs at 145 BPM, a driving up-tempo track.
What mixes well with Earthquake?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Earthquake good for peak time?
With energy 82 out of 100 at 145 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 145 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More trance
More from Marlon Hoffstadt
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.