Earthquake by Marlon Hoffstadt cover art
Key
1A · A♭ minor
BPM
145
Half-time
73
Open Key
6m
Energy
82/100
Pop
41/100
Length
2:24
Released
2024
Genre
Trance
Label
Columbia
Loudness
-4.8 dB
ISRC
DEKF22400977

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Earthquake is a driving up-tempo trance track in A♭ minor (1A) at 145 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. Better known than 85% of Marlon Hoffstadt's catalogue. For programming, treat it as a floor-filler.

Brightness:
brighter than 78% of Marlon Hoffstadt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood79Bright
Groove75
Acoustic4
Instrumental2
Live12
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Earthquake in?

Earthquake by Marlon Hoffstadt is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Earthquake?

Earthquake runs at 145 BPM, a driving up-tempo track.

What mixes well with Earthquake?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Earthquake good for peak time?

With energy 82 out of 100 at 145 BPM, it works best as a floor-filler.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 145 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 145 — beatmatch without a big tempo pull.

More trance

More from Marlon Hoffstadt

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track