Stomp Your Feet (1991 remix)
30s preview
- Key
- 7B · F major
- BPM
- 174
- Half-time
- 87
- Open Key
- 12d
- Energy
- 100/100
- Pop
- 49/100
- Length
- 3:30
- Released
- 2026
- Genre
- House
- Loudness
- -0.9 dB
- Dynamics
- 11.2 dB
- ISRC
- US39N2683843
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stomp Your Feet (1991 remix): house, F major (7B), 174 BPM. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Hotter than 99% of Marlon Hoffstadt's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 99% of Marlon Hoffstadt's catalogue
- Groove:
- less groove-driven than 96% of Marlon Hoffstadt's catalogue
- Reach:
- better known than 91% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Stomp Your Feet (1991 remix) in?
Stomp Your Feet (1991 remix) by Marlon Hoffstadt is in F major, or 7B on the Camelot wheel.
What BPM is Stomp Your Feet (1991 remix)?
Stomp Your Feet (1991 remix) runs at 174 BPM.
What mixes well with Stomp Your Feet (1991 remix)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Stomp Your Feet (1991 remix) good for peak time?
With energy 100 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 174 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More house
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
