TAKE AWAY THE PAIN
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 5m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 3:58
- Released
- 2025
- Album
- FIELD OF SNAKES
- Genre
- Deep House
- Loudness
- -6.2 dB
- Dynamics
- 10.0 dB
- ISRC
- FR9W12530232
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- TAKE AWAY THE PAINoriginal12A · 174
- Take Away the Painoriginal12A · 174
TAKE AWAY THE PAIN is a deep house track in D♭ minor (12A) at 174 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Joachim Pastor's catalogue.
- Tempo:
- faster than 92% of Joachim Pastor's catalogue
- Brightness:
- darker than 92% of Joachim Pastor's catalogue
- Groove:
- less groove-driven than 85% of Joachim Pastor's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is TAKE AWAY THE PAIN in?
TAKE AWAY THE PAIN by Joachim Pastor is in D♭ minor, or 12A on the Camelot wheel.
What BPM is TAKE AWAY THE PAIN?
TAKE AWAY THE PAIN runs at 174 BPM.
What mixes well with TAKE AWAY THE PAIN?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is TAKE AWAY THE PAIN good for peak time?
With energy 74 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 174 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More deep house
More from Joachim Pastor
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
