Fuck That Shit (feat. Raekwon)
30s preview
- BPM
- 86
- Double-time
- 172
- Open Key
- 3m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 4:06
- Released
- 2014
- Album
- Sunday Service
- Genre
- House
- Loudness
- -6.8 dB
- Dynamics
- 11.2 dB
- ISRC
- QMDA72125056
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Fuck That Shit (feat. Raekwon) runs 86 BPM in B minor (10A), a downtempo house record. It reads as dark and driving. The groove is loose and less beat-driven. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. More underground than 99% of The Martinez Brothers's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 97% of The Martinez Brothers's catalogue
- Tempo:
- slower than 96% of The Martinez Brothers's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Fuck That Shit (feat. Raekwon) in?
Fuck That Shit (feat. Raekwon) by The Martinez Brothers is in B minor, or 10A on the Camelot wheel.
What BPM is Fuck That Shit (feat. Raekwon)?
Fuck That Shit (feat. Raekwon) runs at 86 BPM, a downtempo track.
What mixes well with Fuck That Shit (feat. Raekwon)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Fuck That Shit (feat. Raekwon) good for peak time?
With energy 80 out of 100 at 86 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 86 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 81-91 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 86 — beatmatch without a big tempo pull.
More house
More from The Martinez Brothers
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 86 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
