Damned By The Flesh by Nick Muir cover art

Damned By The Flesh

Nick Muir

30s preview

Key
4A · F minor
BPM
172
Half-time
86
Open Key
9m
Energy
88/100
Pop
2/100
Length
5:20
Released
2014
Album
The Traveler
Genre
Progressive House
Label
Bedrock Records
Loudness
-8.6 dB
Dynamics
10.8 dB
ISRC
GBEPM1400931

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Damned By The Flesh: progressive house, F minor (4A), 172 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Faster than 98% of Nick Muir's catalogue.

Brightness:
brighter than 93% of Nick Muir's catalogue
Groove:
less groove-driven than 84% of Nick Muir's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood71Bright
Groove60
Acoustic18
Instrumental75
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Damned By The Flesh in?

Damned By The Flesh by Nick Muir is in F minor, or 4A on the Camelot wheel.

What BPM is Damned By The Flesh?

Damned By The Flesh runs at 172 BPM.

What mixes well with Damned By The Flesh?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Damned By The Flesh good for peak time?

With energy 88 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 172 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

More progressive house

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track