Don't Wake Me Up - Vibe Chemistry Remix
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 9d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 2:36
- Released
- 2025
- Album
- Don't Wake Me Up (Vibe Chemistry Remix)
- Genre
- Tech House
- Loudness
- -2.9 dB
- Dynamics
- 12.7 dB
- ISRC
- GBUM72502115
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Wake Me Uporiginal5A · 130
- Don't Wake Me Up - Agents Of Time Remixremix5A · 130
- Don't Wake Me Up - Martin Ikin Remixremix4B · 130
- Don't Wake Me Up - Shimza Remixremix4B · 120
- Don't Wake Me Up (extended mix)version8B · 130
- Don't Wake Me Up - Mathame Remixremix3A · 132
Against the original (5A at 130 BPM), this version runs 44 BPM faster and moves the key from 5A to 4B.
A tech house cut, Don't Wake Me Up - Vibe Chemistry Remix sits in A♭ major (4B) at 174 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Faster than 99% of James Hype's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 99% of James Hype's catalogue
- Groove:
- less groove-driven than 98% of James Hype's catalogue
- Low end:
- more treble-tilted than 79% of James Hype's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Don't Wake Me Up - Vibe Chemistry Remix in?
Don't Wake Me Up - Vibe Chemistry Remix by James Hype is in A♭ major, or 4B on the Camelot wheel.
What BPM is Don't Wake Me Up - Vibe Chemistry Remix?
Don't Wake Me Up - Vibe Chemistry Remix runs at 174 BPM.
What mixes well with Don't Wake Me Up - Vibe Chemistry Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Don't Wake Me Up - Vibe Chemistry Remix good for peak time?
With energy 89 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 174 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More tech house
More from James Hype
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
