Don't Wake Me Up - Shimza Remix
30s preview
- BPM
- 120
- Open Key
- 9d
- Energy
- 90/100
- Pop
- 46/100
- Length
- 3:44
- Released
- 2025
- Album
- Don't Wake Me Up (Shimza Remix)
- Genre
- Tech House
- Loudness
- -6.3 dB
- Dynamics
- 11.6 dB
- ISRC
- GBUM72501530
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Wake Me Uporiginal5A · 130
- Don't Wake Me Up - Agents Of Time Remixremix5A · 130
- Don't Wake Me Up - Martin Ikin Remixremix4B · 130
- Don't Wake Me Up (extended mix)version8B · 130
- Don't Wake Me Up - Mathame Remixremix3A · 132
- Don't Wake Me Up - Jesse Bloch Remixremix5A · 145
Against the original (5A at 130 BPM), this version runs 10 BPM slower and moves the key from 5A to 4B.
Don't Wake Me Up - Shimza Remix: club-tempo tech house, A♭ major (4B), 120 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Slower than 99% of James Hype's catalogue.
- Groove:
- less groove-driven than 96% of James Hype's catalogue
- Reach:
- better known than 88% of James Hype's catalogue
- Low end:
- more bass-heavy than 77% of James Hype's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Don't Wake Me Up - Shimza Remix in?
Don't Wake Me Up - Shimza Remix by James Hype is in A♭ major, or 4B on the Camelot wheel.
What BPM is Don't Wake Me Up - Shimza Remix?
Don't Wake Me Up - Shimza Remix runs at 120 BPM, a club-tempo track.
What mixes well with Don't Wake Me Up - Shimza Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Don't Wake Me Up - Shimza Remix good for peak time?
With energy 90 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 120 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from James Hype
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
