Don't Wake Me Up - Martin Ikin Remix
30s preview
- BPM
- 130
- Open Key
- 9d
- Energy
- 93/100
- Pop
- 50/100
- Length
- 3:20
- Released
- 2025
- Album
- Don't Wake Me Up (Martin Ikin Remix)
- Genre
- Tech House
- Loudness
- -5.1 dB
- Dynamics
- 10.4 dB
- ISRC
- GBUM72501529
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Wake Me Uporiginal5A · 130
- Don't Wake Me Up - Agents Of Time Remixremix5A · 130
- Don't Wake Me Up - Shimza Remixremix4B · 120
- Don't Wake Me Up (extended mix)version8B · 130
- Don't Wake Me Up - Mathame Remixremix3A · 132
- Don't Wake Me Up - Jesse Bloch Remixremix5A · 145
Against the original (5A at 130 BPM), this version holds the same tempo and moves the key from 5A to 4B.
Don't Wake Me Up - Martin Ikin Remix runs 130 BPM in A♭ major (4B), a peak-time tempo tech house record. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 91% of James Hype's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 80% of James Hype's catalogue
- Tempo:
- faster than 77% of James Hype's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Don't Wake Me Up - Martin Ikin Remix in?
Don't Wake Me Up - Martin Ikin Remix by James Hype is in A♭ major, or 4B on the Camelot wheel.
What BPM is Don't Wake Me Up - Martin Ikin Remix?
Don't Wake Me Up - Martin Ikin Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Don't Wake Me Up - Martin Ikin Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Don't Wake Me Up - Martin Ikin Remix good for peak time?
With energy 93 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from James Hype
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
