On My Mind (Rudosa & Alan Fitzpatrick Hardgroove extended mix)
- Key
- 4A · F minor
- BPM
- 130
- Open Key
- 9m
- Energy
- 92/100
- Pop
- 66/100
- Length
- 2:43
- Released
- 2024
- Genre
- Techno
- Loudness
- -5.5 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On My Mind - Rudosa & Alan Fitzpatrick Hardgroove Editversion6A · 144
- On My Mindoriginal4A · 133
- On My Mind - Enzo is Burning Remixremix4A · 130
Against the original (4A at 133 BPM), this version runs 3 BPM slower in the same key.
A peak-time tempo techno cut, On My Mind (Rudosa & Alan Fitzpatrick Hardgroove extended mix) sits in F minor (4A) at 130 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. Better known than 99% of Alan Fitzpatrick's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 98% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is On My Mind (Rudosa & Alan Fitzpatrick Hardgroove extended mix) in?
On My Mind (Rudosa & Alan Fitzpatrick Hardgroove extended mix) by Alan Fitzpatrick is in F minor, or 4A on the Camelot wheel.
What BPM is On My Mind (Rudosa & Alan Fitzpatrick Hardgroove extended mix)?
On My Mind (Rudosa & Alan Fitzpatrick Hardgroove extended mix) runs at 130 BPM, a peak-time tempo track.
What mixes well with On My Mind (Rudosa & Alan Fitzpatrick Hardgroove extended mix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is On My Mind (Rudosa & Alan Fitzpatrick Hardgroove extended mix) good for peak time?
With energy 92 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
