Shouts In The Dark - DVS1 Lost Mix by DVS1 cover art

Shouts In The Dark - DVS1 Lost Mix

DVS1

Key
3A · B♭ minor
BPM
130
Open Key
8m
Energy
93/100
Pop
1/100
Length
4:38
Released
2011
Album
Shouts In The Dark EP
Genre
Techno
Loudness
-11.3 dB
ISRC
DEDL81300066

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Shouts In The Dark - DVS1 Lost Mix: peak-time tempo techno, B♭ minor (3A), 130 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. Slower than 99% of DVS1's catalogue.

Energy:
hotter than 97% of DVS1's catalogue
Brightness:
brighter than 94% of DVS1's catalogue
Groove:
groovier than 92% of DVS1's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood74Bright
Groove80
Acoustic0
Instrumental90
Live9
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Shouts In The Dark - DVS1 Lost Mix in?

Shouts In The Dark - DVS1 Lost Mix by DVS1 is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Shouts In The Dark - DVS1 Lost Mix?

Shouts In The Dark - DVS1 Lost Mix runs at 130 BPM, a peak-time tempo track.

What mixes well with Shouts In The Dark - DVS1 Lost Mix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Shouts In The Dark - DVS1 Lost Mix good for peak time?

With energy 93 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More techno

More from DVS1

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track