Division
30s preview
- Key
- 5A · C minor
- BPM
- 130
- Open Key
- 10m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 6:57
- Released
- 2006
- Genre
- Techno
- Label
- Harthouse Mannheim
- Loudness
- -7.3 dB
- Dynamics
- 12.1 dB
- ISRC
- DEBL60717547
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Divisionoriginal5A · 130
Division: peak-time tempo techno, C minor (5A), 130 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2006 production that still circulates in sets. More underground than 99% of Gui Boratto's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 95% of Gui Boratto's catalogue
- Tempo:
- faster than 94% of Gui Boratto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Division in?
Division by Gui Boratto is in C minor, or 5A on the Camelot wheel.
What BPM is Division?
Division runs at 130 BPM, a peak-time tempo track.
What mixes well with Division?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Division good for peak time?
With energy 94 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![Cirrus [2/3] by NTO cover art](https://i.scdn.co/image/ab67616d00001e0282b74ee689d5aa9724d6537a){kind=small}
![Cirrus [2/3] by NTO cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a36beb57b42fcb4734ae.webp){kind=small}
How to mix it
In 5A at 130 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Gui Boratto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
