Change by Gui Boratto cover art

30s preview

Key
5A · C minor
BPM
120
Open Key
10m
Energy
65/100
Pop
35/100
Length
3:22
Released
2021
Genre
Tech House
Loudness
-7.9 dB
Dynamics
11.3 dB
ISRC
BRUM72100643

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Change is a club-tempo tech house track in C minor (5A) at 120 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 98% of Gui Boratto's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 90% of Gui Boratto's catalogue
Brightness:
brighter than 76% of Gui Boratto's catalogue
Low end:
more treble-tilted than 76% of Gui Boratto's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood50Balanced
Groove77
Acoustic2
Instrumental0
Live52
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Change in?

Change by Gui Boratto is in C minor, or 5A on the Camelot wheel.

What BPM is Change?

Change runs at 120 BPM, a club-tempo track.

What mixes well with Change?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Change good for peak time?

With energy 65 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 120 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More tech house

More from Gui Boratto

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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