Too Late
- BPM
- 120
- Open Key
- 7m
- Energy
- 40/100
- Pop
- 36/100
- Length
- 4:16
- Released
- 2013
- Genre
- Tech House
- Label
- Kompakt
- Loudness
- -12.8 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Too Lateoriginal3A · 120
Too Late runs 120 BPM in E♭ minor (2A), a club-tempo tech house record. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Better known than 98% of Gui Boratto's catalogue.
- Energy:
- calmer than 93% of Gui Boratto's catalogue
- Tempo:
- slower than 90% of Gui Boratto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Too Late in?
Too Late by Gui Boratto is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Too Late?
Too Late runs at 120 BPM, a club-tempo track.
What mixes well with Too Late?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Too Late good for peak time?
With energy 40 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 120 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Gui Boratto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
