Death Espiral
- BPM
- 120
- Open Key
- 8m
- Energy
- 44/100
- Pop
- 0/100
- Length
- 7:04
- Released
- 2014
- Genre
- Tech House
- Loudness
- -10.6 dB
- ISRC
- GBR5R1300297
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in B♭ minor (3A), Death Espiral is a club-tempo tech house production. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Marc Marzenit's catalogue.
- Energy:
- calmer than 97% of Marc Marzenit's catalogue
- Tempo:
- slower than 92% of Marc Marzenit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Death Espiral in?
Death Espiral by Marc Marzenit is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Death Espiral?
Death Espiral runs at 120 BPM, a club-tempo track.
What mixes well with Death Espiral?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Death Espiral good for peak time?
With energy 44 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Marc Marzenit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
