Point Of No Return (Live From The Studio)
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 47/100
- Pop
- 42/100
- Length
- 2:20
- Released
- 2023
- Genre
- Tech House
- Loudness
- -10.3 dB
- Dynamics
- 13.6 dB
- ISRC
- DEEC33501062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Point Of No Returnoriginal12B · 122
Against the original (12B at 122 BPM), this version runs 2 BPM slower and moves the key from 12B to 8A.
Point Of No Return (Live From The Studio): club-tempo tech house, A minor (8A), 120 BPM. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 99% of Adam Port's catalogue.
- Energy:
- calmer than 92% of Adam Port's catalogue
- Tempo:
- slower than 88% of Adam Port's catalogue
- Brightness:
- brighter than 88% of Adam Port's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Point Of No Return (Live From The Studio) in?
Point Of No Return (Live From The Studio) by Adam Port is in A minor, or 8A on the Camelot wheel.
What BPM is Point Of No Return (Live From The Studio)?
Point Of No Return (Live From The Studio) runs at 120 BPM, a club-tempo track.
What mixes well with Point Of No Return (Live From The Studio)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Point Of No Return (Live From The Studio) good for peak time?
With energy 47 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Adam Port
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
